The Cutting Edge: The Magic of Movie Editing

00:01:02 Move.

00:06:16 Because in the end, wouldn't we like to edit our own lives?

00:10:04 We took out one frame in every 24, and it was a mess.

00:14:02 It was obviously the story of Irving Thalberg.

00:17:49 It's not good enough that she reads it 80% of the time, all right.

00:22:30 The theoretician Lev Kuleshov also experimented with film editing.

00:26:44 I found a good combination in the two Terminator films...

00:30:57 He's just on the other side of the door.

00:35:54 Just over that hill!

00:39:58 They were really moved.

00:44:19 is also constructed...

00:47:58 Jodie Foster, of course, attracted the most wonderful bunch of actors...

00:51:41 and begin to find a way to shape it.

00:55:32 the editing room. It wasn't in the script and it wasn't on the floor the day I shot it.

01:00:08 The methodology of the whole thing is, of course, to show...

01:03:29 till you'd done the whole dance, coming from far to close.

01:07:35 cut in this fashion.

01:11:22 Walter's theories?

01:16:19 that it's really good and very good storytelling.

01:20:43 pounding away at you like a metronome on high speed for two and a half hours...

01:25:00 which is, growing up as an editor, what I've always wanted to do.

01:28:28 There were some collisions of images that occurred to Francis...

01:32:25 I find my work absolutely fascinating and absorbing.

04:00:05 would expect a character to drive up...