Polvo nuestro que estas en los cielos
2008 · 126 MIN · IMDB 7.5 · 47 VOTES · DIR. Beatriz Flores Silva
Overview
Aurelio Saravia is a powerful politician who holds office in Uruguay in the mid-1960's. When Aurelio's mistress kills herself, he adopts their illegitimate daughter Masangeles despite the stern objections of his wife Aurora. Masangeles finds herself growing up in a home ruled by a corrupt and self-centered tyrant and his manic colleagues while Uruguay teeters on the brink of civil war as bands of revolutionaries battle government militias. When she turns fourteen, Masangeles discovers a secret passageway in their home that leads to sanctuary in a nearby church which also serves as a storehouse for guns and ill-gotten cash. Teenage Masangeles falls in love with Santiago, her stepbrother who has joined the rebels fighting against the state, and she persuades him to take her virginity.
Dialogue Timeline — 1,155 lines
A SAMPLE ACROSS THE RUNTIME — EVERY LINE IS SEARCHABLE
00:00:23 The historic facts which are the frame to this story...
00:03:04 People are impatient.
00:05:49 ''Any old where'' is already full up.
00:08:46 What?
00:15:29 Dolores, come and help me.
00:21:09 Aurora and l have a family
00:25:23 We've always followed you, since your 1 st duel. What would become of us without you?
00:30:29 We can put it in the scullery.
00:34:32 And what shall we do with this one?
00:38:04 every day, went and looked after the sick
00:43:52 But we haven't any more money.
00:48:19 What is it?
00:51:43 but rather those who exploit and rob the workers.'"
00:54:10 You must understand: there's no democracy without sharing.
00:58:41 Anibal was a fool.
01:03:48 CX7J to CX4N. Conditions are bad! Over!
01:09:49 You're convincing. Nobody can resist you.
01:13:17 He's better educated than you, and you've made him a miserable servant!
01:17:52 Maybe.
01:25:07 This is not any old where, you have reached the church.
01:29:06 Give this Roletti a proper thrashing!
01:34:05 Get out.
01:38:27 José Luis Noboa Rodriguez alias Raúl
01:45:17 Come on, Pino, we must go!