National Gallery

00:02:13 Good. Yeah. Beautiful colour...

00:08:44 to talk about one's vision going forward with the trustees in June -

00:14:58 and then come down a bit.

00:21:58 What was Velazquez’s intention on painting Venus with her back to us

00:30:21 On the one hand, literally on the left hand

00:37:04 - It closes the whole end of this square. - Mm.

00:41:49 The name National Gallery can be announced a lot

00:49:10 and they gave him the corpses of these horses.

00:55:03 Be brave and add that vertical line to contrast the curves of the body.

01:04:16 And that's the difference between him and his pupils.

01:16:57 since the spending review 18 months ago.

01:23:14 is the key gain, I think, from this picture.

01:27:59 It's... it's unlike any... He's basically wearing a kind of fancy dress hunting outfit

01:34:51 of how this work of an was created.

01:40:46 - Are these your glasses? No. - No.

01:48:44 - according to which way they were lit. - Yeah.

01:55:37 It's oak, I think, over concrete.

02:02:01 He goes up... This is not true.

02:07:12 - Yeah. - I mean, you know, that's pretty accurate.

02:12:24 and where they are in relation to one another.

02:23:04 I think my friend...

02:28:58 and very... probably very small public.

02:35:01 But, like many things in Caravaggio, what may seem...

02:40:25 - Well, he was a good guy. - Yeah.