Metropolis

00:00:12 More than a quarter of the film must be regarded as irretrievable, lost.

00:04:17 The way people move or are moved is always highly significant

00:08:03 A light-hearted waltz, no musical leitmotiv

00:12:17 Heralded by the clarinet - a new chorale based theme

00:16:43 "Nothing in this world is more vengeful than the jealousy of a machine

00:21:38 In Thomas Pinchon's novel "Gravity's Rainbow", Franz Pökler

00:28:22 First from the strings, then the horns

00:36:27 The Slim One in left profile. Take note of just how differently

00:42:27 Fredersen his wife

00:50:29 Freder's Passion - the factory is his Golgotha -

00:57:28 turns out to be a model, around which a group of architects has gathered.

01:05:32 The couple is musically threatened by the Theme of the Uprising.

01:14:44 The music in the cathedral scene: The "Dies irae"

01:24:24 remembers Lang forty years later, "included a battle between modern science

01:29:36 In the figure of the merciful preacher, he seems to sense a female challenge

01:34:27 Isolated, edited gestures and the positions of the dancer

01:42:54 Like the evil character in a fairy tale, Rotwang pretends his own child

01:50:19 by men and women, who use them to go upwards. In a later scene

01:56:36 a shadow ascending a staircase, exit to another theatre

02:03:50 without act of procreation, through adoption, by saving the children

02:11:20 ascending from the machine halls, have reached.

02:17:57 pursued by Rotwang.

02:22:33 the untameable lion who could let it all crash, girl, State

02:27:00 provoked as much criticism, analysis and interpretation