Metropolis

00:00:12 More than a quarter of the film must be regarded as irretrievable, lost.

00:04:17 The way people move or are moved is always highly significant

00:08:03 A light-hearted waltz, no musical leitmotiv

00:12:22 which from now on will accompany the entrances of the young woman.

00:16:48 that feels neglected."

00:21:48 which he saw as a student in Berlin, "Great movie." Exactly the world Pökler

00:29:08 A video telephone on the wall behind.

00:37:03 - and again in an act of viewing.

00:43:05 Fredersen in right profile -

00:52:46 Lack of information is the motivation for Fredersen's departure.

01:00:06 A look into the camera, into our eyes.

01:06:49 who he himself expected from her?

01:17:44 The story of Freder, the good boy

01:25:06 In Rotwang's character Harbou and Lang merged both magic and modernity

01:30:26 In the film, a fall - "downwards, into the depth" -

01:35:47 of the monk's sermon on the Whore of Babylon

01:44:30 Instead of...

01:51:18 Again the same venues as in the beginning

01:58:35 a path for the stream when he built the City of the Workers.

02:05:58 The flying camera simulates the pressure of the explosion

02:14:07 Only when you carefully look, you see - here -

02:19:32 "Hunchback of Notre Dame". The novel had recently been filmed with Lon Chaney.

02:23:36 In Harbou's screenplay, Mary - acting on an appeal from the Workers' wives -

02:27:54 read by David Cooke, notes on the music have been provided by Rainer Fabich.