Mauro, Humberto

00:01:02 - May I taIk aIready? - Yes, you may.

00:02:05 I worked a Iot with eIectricity, I worked a Iot in radio

00:02:53 Father Cicarine was a priest in Cataguazes.

00:03:47 But, when I kneeIed, he said immediateIy 'Humberto, how do you do?'

00:04:34 He was an extraordinary man.

00:05:21 And the oven-bird story, isn't it with him?

00:06:16 - Just Iike mine, the 'Soiza'. - It was Pimenta.

00:07:25 I screamed: 'St. Conegunda, protect me!'

00:08:30 He had a hearing with the pope and he toId the pope seriousIy --

00:09:22 So, what is you next acetate butyrate?

00:10:25 But the Iong shots, the infinity, no one is reaIIy used to see.

00:11:23 those are things that were imagined by you.

00:12:11 But it's very good.

00:13:06 Besides, it is not very good, is it?

00:13:53 I had two partners who invested some money each.

00:14:49 That's true.

00:15:30 it was a fiIm that had resuIted in a very personaI work from me.

00:16:30 'You're the man. . .' who made what?

00:17:34 - Yes, he does. - He made a 'Mauroan' photograph.

00:18:47 Is there aIready a very big infIuence of Gonzaga in 'Lábios sem Beijos'?

00:19:50 Because I aIways imagined to divide the story into sequences.

00:20:58 My storyIine is right, it is there

00:22:06 WeII, he... It was not as a producer.

00:23:05 It was the first fiIm that I did there, and it had a pIot.