In the Mirror of Maya Deren

00:00:25 [Piano: Classical]

00:06:34 You know, that sort of thing.

00:09:42 with our cat, Glamour Girl, that came with us from Hollywood.

00:15:48 And in the normal light, you would see that...

00:18:42 and that was klee, Feininger, kandinsky and Jawlenski.

00:22:06 I think she was just a woman ahead of her time...

00:25:29 the camera is as partner to that dancer...

00:29:19 the 20th-century revelations and achievements...

00:34:35 I don't remember any written material...

00:38:52 ...Can't you hear'em.

00:42:08 My interest in Haiti was not only dance, but it was the Vodoun.

00:45:24 a white person coming to learn about the culture of the black people?

00:49:25 And so, I feel, this is very personal.

00:52:36 It was the wise man is the one who controls nature...

00:55:45 That would be a Western concept.

00:58:33 Events that occur rapidly so that they seem a continuous flux...

01:04:25 in such exalted terms...

01:13:30 [Ferguson] After Teiji came to live with Maya...

01:16:00 and given her a small room and were not allowing her...

01:18:18 one thing or another thing or any definitive thing...

01:20:35 because the audience is almost dreaming these dreams together.

01:27:46 She was not only making her own films...

01:30:42 to invoke the particular gods.

01:34:23 Teiji was there with Maya's mother, and that was all.