Gilles Deleuze from A to Z

00:01:02 Deleuze: You have selected a format as an ABC primer

00:03:39 The problem, rather, is with animals that are both familiar and familial.

00:06:31 where people walk their dogs, and what I hear from my window

00:08:53 Animals, they have worlds. What is an animal world?

00:11:49 because constituting a territory is, for me, nearly the birth of art.

00:14:40 So this is a beautiful case of a philosophical concept that can only

00:17:11 obviously, we are on the lookout. For me, you see, the ears

00:19:52 Parnet: So this 'writing for,” that is, “intended for” or “in the place of,”

00:22:25 then one has to say, yes, the writer is responsible to animals who die

00:25:00 I think everyone who drank understands this.

00:27:42 there is a term to say the next-to-last, it's penultimate...

00:29:52 what one believes oneself to see, to feel, to think

00:32:16 just something that is too strong, it's something too powerful in life.

00:34:38 Deleuze: Verlaine lived on a street right nearby here, rue Nollet...

00:36:41 But I am just terrified of a “cultivated person,”

00:39:19 it means being seductive. I could never stand attending colloquia

00:42:00 with things... So I encounter a... painting, yes, or a piece of music

00:44:21 that make me rub my eyes in disbelief.

00:46:58 Parnet: So these belong to the “encounter” category

00:49:03 Deleuze: I don't know him.

00:51:09 or a particularly poor period that we are living through?

00:53:30 a pretty little pen, one is naturally Kafka's equal...

00:55:52 no one notices it for a simple reason: when something disappears

00:58:34 “but with the means we have today to locate and recognize new Prousts