Dangerous Days: Making Blade Runner

00:00:22 Enhance.

00:09:41 ...on sort of his emotional state at that time.

00:18:33 ...that I think that, you know, to Ridley's credit...

00:26:33 Don't you understand?" And I remember Michael saying:

00:35:33 ...trying to find ways to accomplish that.

00:44:04 ...and I remembered the sort of puttied-out eyebrows...

00:52:48 He brought out the best qualities in his performers.

01:01:52 ...but conceived of what the streets would look like...

01:10:06 ...and as if we had left the room...

01:19:22 The set is the landscape.

01:28:16 But seven takes in those days were not inordinate at all.

01:37:02 And he stopped it.

01:46:08 Part of the look of the film had to do with the fact that it was shot outside...

01:55:32 ...but be told early enough so I can do something about it.

02:04:46 And just-- They all decided, you know, they'd had enough.

02:13:47 ...and literally cut the set out of the street and put it on vehicles and forklifts...

02:23:17 It had to be in the camera, and that's where Doug came in...

02:31:35 ...so when it was to be shot on-stage--

02:40:21 ...and that's where the real matte-painting art comes in.

02:49:02 In the school holidays, rather than bum around the house...

02:56:51 And I can't remember exactly when I learned.

03:05:27 When we got back, you couldn't see anything...

03:14:51 "Someday, someone will notice."

03:24:14 I would say of all the big, influential science-fiction films...