Black Swan: Metamorphosis

00:00:13 We are the first day of shooting.

00:02:07 trying to figure out what the balance of dark and light is

00:04:09 My little princess.

00:05:57 ARONOFSKY: Cut! Good. Very nice. Check the gate.

00:08:07 and be really specific, and also try a real range of possibilities.

00:10:38 I would pin them up on the wall.

00:12:29 The idea of reflections, which...

00:14:38 which is also in the mirror. It's great.

00:17:12 Not just the Prince, but the court

00:18:47 he gives you the world to work in, so that you're not flying around aimlessly.

00:20:35 just try and make sure that I wouldn't get injured

00:22:21 It's part of the process, it's the light meter, it's my spot meter, it's my digital camera

00:24:11 That's nice. Good. That's good.

00:26:07 I was falling asleep and now I'm... it wakes you up.

00:27:42 if Darren wasn't directing it, and this is not to go to Darren's head, okay?

00:29:18 If you're really passionate about what you do

00:31:14 Everything is in a performance. It's not captured on film forever.

00:33:11 You start at the bar, every day, even professionals

00:35:10 Okay, are you gonna hold the top of her hands like this or...

00:37:50 we have live action and digital working to its best.

00:39:35 A lot of the process was figuring out

00:42:13 and then once you prove yourself that you're an artist

00:46:32 MARINO: it wasn't just a crazy monster or something.

00:48:36 and as cool as he is, he's a very visual guy