Ballet 422
2014 · 75 MIN · IMDB 6.3 · 1,287 VOTES · DIR. Jody Lee Lipes
Overview
The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company’s 422nd original piece. Following the creative process from its embryonic stages to its highly anticipated premiere, BALLET 422 is a powerful celebration of the skill and endurance of New York’s most talented dancers—as well as those who remain hidden in the wings.
Dialogue Timeline — 750 lines
A SAMPLE ACROSS THE RUNTIME — EVERY LINE IS SEARCHABLE
00:01:17 Two to the back
00:09:43 Yeah, constantly forward?
00:11:20 Okay. I'll keep my eye on Amar.
00:14:20 It's almost like you need one more step, huh?
00:15:53 Yeah.
00:17:23 Where are the... Actually, where are we with the pas de trois?
00:18:52 - Okay. - You know, if it... Maybe the boys
00:22:44 Great.
00:26:17 If we both did maybe, like, a fourth.
00:29:56 That was very, very, very good. That was very good.
00:31:31 - Sorry, Albert. - It's okay.
00:34:15 Do you want... you want to come down before?
00:35:20 - Okay. - Yeah.
00:36:49 All right, so applause, applause, applause.
00:38:27 I mean, this really does feel secure.
00:40:33 Mm-hmm.
00:43:06 for here, I'm not gonna use this arm.
00:44:11 Okay.
00:47:16 - Yeah. I am? - We nailed it.
00:49:48 Okay.
00:51:52 "Thank you so much for yesterday's Rabbit,"
00:53:08 and, like, the complexities and the textures of the orchestra.
01:00:39 Yes. Well, I mean... yeah.
01:08:41 Places, please. Places.
Cast & Characters
Dialogue Record
Lines indexed750
Dialogue density10.0 lines / min
First line00:01:17
Final line01:08:41
Production Record
DirectorJody Lee Lipes
LanguageEnglish
IMDb votes1,287