After the Rehearsal
1984 · 70 MIN · IMDB 7.1 · 3,076 VOTES · DIR. Ingmar Bergman
Overview
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Strindberg's A Dream Play. She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler's star and lover.
Dialogue Timeline — 1,060 lines
A SAMPLE ACROSS THE RUNTIME — EVERY LINE IS SEARCHABLE
00:00:29 After the rehearsals, I like to stay a while at the stage
00:03:39 didn't want to embezzle her life.
00:06:29 that I create entire shows, actors and lines
00:09:35 Of course! It is easier that way.
00:12:08 and a structuration of your potential.
00:14:22 But I am not as good as her. Besides, she was twice my age.
00:18:13 I believe that there are many people who were hurt by my ravage.
00:20:53 I didn't think a young, modern, self-supporting...
00:23:36 dusty and dirty instrument.
00:26:51 Yes, you want to!
00:29:47 For the sake of Anna.
00:32:10 We sang... and played...
00:35:27 What good would that do?
00:38:52 It was you who said there was a risk for suicide!
00:42:00 other as keys to the secrets of the scripts
00:44:55 But Rakel, it is a compliment!
00:48:04 Rakel?
00:51:34 But maybe he has invisible qualities, what do I know.
00:54:40 - Last week. - Is it so?
00:57:26 I have some friends.
01:00:48 Don't take it so seriously!
01:03:27 - What crisis? - I'll tell you that.
01:06:03 I want to be the part that you'd never forget
10:03:00 No, no, don't touch me!
Cast & Characters
Dialogue Record
Lines indexed1,060
Dialogue density15.1 lines / min
First line00:00:29
Final line10:03:00
Production Record
DirectorIngmar Bergman
LanguageSwedish
IMDb votes3,076