Time Phrase
00:49:49 Yeah, these are the newcomers.
00:49:51 In the tradition of Bond movies, there's
always people you've never seen before.
00:49:56 They're not familiar actors,
but they get a chance to shine,
00:50:00 and I think these actors
did an exemplary job.
00:50:02 They're both young British actors,
who not many people have seen.
00:49:51 In the tradition of Bond movies, there's
always people you've never seen before.
00:49:56 They're not familiar actors,
but they get a chance to shine,
00:50:00 and I think these actors
did an exemplary job.
00:50:02 They're both young British actors,
who not many people have seen.
00:50:06 I think we're gonna see
a lot more of them, Rosamund especially.
00:49:56 They're not familiar actors,
but they get a chance to shine,
00:50:00 and I think these actors
did an exemplary job.
00:50:02 They're both young British actors,
who not many people have seen.
00:50:06 I think we're gonna see
a lot more of them, Rosamund especially.
00:50:11 She was all fingers and thumbs
when she came to us,
00:55:24 and then take it from here into bigger
swords, which are English broadswords,
00:55:29 just to make it more dangerous,
and keep moving the...
00:55:32 I think it's also important
that you kept with the actors
00:55:35 and didn't to crowd reaction shots,
which some directors have done
00:55:40 to get comic relief, or reaction to...
00:56:45 I said "Don't worry. Just give me a double,
00:56:48 and I'll have Toby and Rosamund
do all their work."
00:56:52 It's not fair sometimes on actors. I did
go to the actors and ask if it was OK,
00:56:57 but we had to stay on schedule and move
this thing along without Pierce there.
00:57:02 Sometimes you do these things,
and people never notice them.
01:00:02 that's when these scenes come alive,
and I love getting...
01:00:06 You always have a plan of action
how to shoot these scenes,
01:00:09 but then you get in there
with the two actors,
01:00:11 and a whole host of possibilities
suddenly present themselves.
01:00:15 You run around with your DP and designer
and chop holes in walls and do things,
01:05:12 who now finds himself
in charge of the Q division of Ml6,
01:05:16 which allows him, as a character,
to have an attitude towards Bond.
01:05:21 I always find that actors like that a lot
more, when they have some background.
01:05:30 (Mochae/) The scene we've just seen
is the one that Rosamund tested
01:05:34 when she was going up for the job.
01:19:58 This is a combination of a model -
model ice, basically -
01:20:02 and tank work with Pierce.
01:20:05 underwater stuffs always tricky
for these actors to do.
01:20:09 They get infections. The water supply's
never as clean as it's supposed to be.
01:20:14 It's always tricky, and you don't want
your actor coming down with a cold.
01:22:23 (Lee) You can get away
with so much in this genre,
01:22:27 because it is a nod and a wink
and some of it's very, very light-hearted,
01:22:31 even though the actors
are taking it seriously.
01:22:34 Yet if you were doing this straight
and it was a straight, dramatic movie,
01:22:38 you may not make the same decisions.
01:24:25 which is very much a scene
about reveal, betrayal, double-cross,
01:24:31 is quite exceptionally well-written, and
it's an interesting scene to put together.
01:24:37 I had to get the three actors together and
they had to stand in various positions,
01:24:41 cos the floor gives way
and they go through it.
01:24:44 So you have to stage,
dramatically, a sequence
01:24:46 with people being in positions
for an action sequence.
01:24:50 That's not always the best thing to do
with a straight dramatic scene.
01:24:55 But when you tell the actors what
the requirements are, they really like it.
01:25:00 They don't object at all. They go "Just tell
me where to stand and we'll do the rest."
01:25:06 It's a testament to the qualities...
01:25:00 They don't object at all. They go "Just tell
me where to stand and we'll do the rest."
01:25:06 It's a testament to the qualities...
01:25:11 Rosamund, Toby and Pierce
are very, very fine actors.
01:25:15 They know how to do the stuff very well.
01:25:18 This is Rosamund's poèce de résostance,
this Mata Hari in this one.
01:36:51 and a whole sequence of events has to be
worked out for everything that goes on,
01:36:56 and then we let loose the second unit
on this and they go to town.
01:37:00 I may have shot two or three shots,
just the actors in their cars.
01:37:04 This is a testament to what Vic does best
when he gets his teeth into this,
01:37:08 all these cars exploding, crashing.
01:37:08 all these cars exploding, crashing.
01:37:10 I'd been doing all this stuff with Halle
in a sinking room built by Chris Corbould.
01:37:15 While I'm out shooting the actors
on another stage,
01:37:18 Vic'll be in here for days and days
doing all this stuff.
01:37:21 (Mochae/) Halle's a real trouper. She got
in that water and it wasn't all that warm.
(What's this?)
